The American Society for Aesthetics is pleased to announce the winner of the 2019 Selma Jeanne Cohen Prize in Dance Aesthetics, Dancing in Blackness: A Memoir, by Halifu Osumare, published by the University Press of Florida in 2018.
Dr. Halifu Osumare is Professor Emerita in the Department of African American and African Studies (AAS) at University of California, Davis, and was the Director of AAS from 2011-2014. She has been a dancer, choreographer, arts administrator, and scholar of black popular culture for over forty years. With a Ph.D. in American Studies from the University of Hawai’i at Manoa, and an MA in Dance Ethnology from S.F. State University, she is also a protégé of the late renowned dancer-anthropologist Katherine Dunham and a Certified Instructor of Dunham Dance Technique.
She has been recognized as one of the foremost scholars of global hip-hop, publishing The Africanist Aesthetic in Global Hip-Hop: Power Moves in 2007 and, and The Hiplife in Ghana: West African Indigenization of Hip-Hop in 2012, after her 2008 Fulbright Fellowship at the University of Ghana, Legon. She has published numerous journal articles and book chapters on hip-hop, dance, and Katherine Dunham.
The prize was established in 2008 in memory of Selma Jeanne Cohen, and with enormous gratitude for her generous bequest to the ASA. The $1000 prize is awarded every year, for critical articles or books of distinction in dance aesthetics, dance theory, or the history of dance published in English.
Dr. Osumare will be presented with the prize at the 77th Annual Meeting of the American Society for Aesthetics in Phoenix October 9-12, 2019. She also will be honored at the annual Dance Scholars Breakfast at the meeting.
Read more here: https://aesthetics-online.org/news/458801/ASA-Announces-2019-Selma-Jeanne-Cohen-Prize-in-Dance-Aesthetics.htm
Information on this page source from Colorlines Magazine, published by RaceForward
“The fact is, White supremacy defines our current reality. It is not merely a belief that to be White is to be better. It is a political, cultural and economic system premised on the subjugation of people who are not White. That subjugation takes on an infinite number of forms and is enforced with varying degrees of physical violence, mental abuse and robbery. White supremacy is the voice in our collective heads that says it makes civilized sense that one group of people gets to annihilate, enslave, incarcerate, brainwash, torture, sterilize, breed and terrorize other people. White supremacy establishes, upholds and normalizes hierarchy based on the premise that the less Black you are the closer you are to God.”
“[T]his is a book about freedom dreams. We’re well aware of the problems we’re buried beneath. We can feel the weight of them on our limbs, the heft of them in our abdomens as our second brains gnaw on the indignity of it all. But what does it look like for Black people to claw our way to fresh air? What does freedom feel like? How does it taste on the tongue? For some folks in this book, it feels like raising kids who gleefully take up space for themselves. For others, it looks like providing the tools we need to triumph over race-based trauma. There’s the pastor who envisions a day when following his radical, dark-skinned Jesus who always sides with the dispossessed will lift us out of this hole, and the organizer who can almost smell the sharp aroma of reforming the nation’s political system. And we can’t forget the professor who dreams of the day when we can bring our full selves to every table.”
Excerpted from “How We Fight White Supremacy: A Field Guide to Black Resistance” by Kenrya Rankin and Akiba Solomon, available now.
Join the final
December 19, 2018
(Dance Class – 7:00 – 8:30/ CJ Workshop – 8:30 – 10:00/Music & Dance – 10:00 – Midnight)
Location: Brooklyn Commons, 388 Atlantic Avenue, Brooklyn, NY 11217
The podcast is here! It’s the Arthur Mitchell, founder of Dance Theatre of Harlem (DTH), Tribute aired Wednesday, September 26, 2018 on AfroBeat Radio. Now you can listen to an edited version of the Tribute. Enjoy as DTH’s Artistic Director, Virginia Johnson and former dancers Karen Brown, Dr. Adesola Akinleyke, Dion Wilson, and Lorraine Grave share their life as dancers, students, and mentees pay tribute to the late Arthur Mitchell!
Wuyi Jacobs (host of AfroBeat Radio) and I co-produced this show and podcast: https://www.afrobeatradio.com/arts-entertainment/2018/12/3/arthur-mitchell-mar-27-1934-19-2018-a-tribute
On Monday December 3, 2018 Arthur Mitchell Memorial took place at Riverside Church. In 2019 Dance Theatre of Harlem will Celebrate 50 Years. Join in the Celebration!!
Thank You Camille A. Brown
For more: https://www.camilleabrown.org/home
Today, I met the brilliant writer Emem Uko, author of four books. I am looking forward to sitting down to read her newest novel, Notice Me, based on a true experience of friendship.
Some people’s work inspire movements, some save lives, some remind us that we are essential and provide balm to our wounded spirit, and some make us strong and fierce, Womanist scholar Rev. Dr. Katie Geneva Cannon‘s life and work did all this and more!!! Rest In Peace!!!
(Rev. Dr. Katie G. Cannon, the Rev. Dr. Eboni Marshall Turman, The Rev. Dr. JoAnne Terrell, moderated by Rev. Kymberly McNair)
Halifu Osumare speaks with graduate students and dance educators at The JODY -the Arnhold Graduate Dance Education Program at Hunter College of the City of New York.
Dancing in Blackness, A Memoir
An amazing reunions!!
Halifu Osumare and Ntozake Shange interviewed by Wuyi Jacobs, host of Afrobeat, on WBAI.
The reading at the Roosevelt House Public Policy Institute at Hunter College. Osumare read from Dancing in Blackness, A Memoir and Shange read from Wild Beauty: New and Selected Poems; they then engaged in stirring conversation.
Halifu Osumare inaugural speaker at The Jody, the new dance research center at Hunter College, Arnhold Graduate Dance Education Program.