The ancestors are welcoming you with a standing ovation; you have done good works. You will be well missed!
April 2, 2020
It is the beginning of our future, but not the end of our present or past. We are participating in the making of a new humanity; even as the incompleteness of the humanity some of us can claim to belong is fatally unfinished and flawed. Six feet to confidently feel the sun, engage face to face; six feet to bury our beloved. Six feet of deference between the living and the dead; life or death in six feet, a mask, and sanitizers.
This is the age of Coronavirus/COVID 19. The privilege of breathing is on the forefront of everyone’s mind. The air is cleaners because a force so small it is imperceptible to the human eye has literally put the world on pause, caught between breaths, waiting to exhale.
At this moment I find all language inadequate. Its inadequacy is both irreverent and irrelevant, for use, however crude and imperfect, must be made of it. At least this is where I have now landed.
For weeks (more precisely months) I have fumbled and foiled in my attempts to convert thoughts, feelings, a way of being in this new world of ours into language. Failure after failure, bumps after bumps, I have been wholly discouraged, disappointed, disheartened, and dispirited by language’s inability and impotency. I have been terrorized with brutal imaginings, fear that ultimately I could write nothing – at least nothing worthy of that which I seek to describe, reflect on, analyze, and deconstruct in order to find a way forward. NO!!! ways forward/backwards/sideways/upside-down ways to transform this present moment through language (written, oral, and embodied) that speaks into healing, health, resistants, joy!! I seek language that disentangles from rhetoric of disease, denial, destruction and breaths life into this and the next moment. And yet…
Today I start here:
Eric Garner’s “I can’t breathe”echoes through corridors and waiting rooms of hospitals, care centers and homes around the world: And in a multitude of languages, across times zones, and age-range, the reverberation of ‘I can’t breathe’ hangs in the air, haunting the contemporary moment. This is the age of Coronavirus/COVID 19. The privilege of breathing is on the forefront of everyone’s mind. The air is cleaners because a force so small it is imperceptible to the human eye has literally put the world on pause, caught between breaths, waiting to exhale. And Garner’s cosmic reckoning is upon us, bring the world’s economy to its knees as everyone fears that next inhalation will be an ill-fated journey to that final gasp “I can’t breathe.” The weight of the virus is on our necks, we are in the preverbal chokehold, and even atheists are praying that the last time they saw their loved ones will not be the last time of having seen their loved ones; and if loss must be had, if Garner must die as he did, let it be someone else’s breath that is aborted, let someone else be sacrificed to the ritual fight that ends in a whole bodied “I can’t breathe”.
Who will we be after millions across the globe (including our own near and far) have succumbed, when we are all madmen from grief, catastrophic loss, and survival guilt? How will we protect innocence (our own and others) when we have already perverted innocence and turned it on itself? What type of global community will we build from this fear of breathing and from the enormous threat of unchecked hatred and biases embodied in the micro and macro? What dances will be create to immunize us against external harm and from internal afflictions?
The story of the (still unfolding) life of an African-American woman living in the predominantly white worlds of ballet, modern dance, and Broadway, while facing challenges, heartbreaks, and triumphs as she attempts to shatter the stereotypically classical mold and celebrate her evolution into an unapologetic body, (Francesca Harper).
Celebration of the Life of Toni Morrison at The Cathedral Church of Saint John the Divine – Thursday, November 21, 20194:00 pm – 6:00 pm
MOMENTUM: A Race Forward Podcast
“In this episode of Momentum, Hiba and Chevon take on ‘cancel culture’ in the comedy world, discussing “Joker” director Todd Phillips recent comments about not being able to make comedy films because of “woke culture”, and Saturday Night Live’s recent hiring and firing of Shane Gillis.
Race Forward’s Research Associate Yirssi, joins the conversation to talk about her work with “Shattered Families” around the intersection of immigration enforcement and the child welfare system, and gives us insight into the current state of the work and what she saw on her recent trip to Arizona and Mexico. “
LBD Peace Institute
Enacted in 2000, the annual Survivors of Homicide Victims Awareness Month (SHVAM) was created in an effort to educate the public and policymakers about the impact of murder on families and communities and uplift the peace-building efforts of survivors. Join us as we recognize and honor the survivorship of those in our community
William Augustus Hinton
60 years after his death, groundbreaking bacteriologist Hinton honored at HMS
“Dr. Hinton understood what it meant to be black in America,” said Joan Reede, HMS dean for diversity and community partnership.
Hinton also understood that social and economic factors play a role in health and that disease often unduly afflicts the underprivileged, she said.
Reede noted that not only did Hinton refuse scholarships designated for black students, preferring to compete and succeed academically on an equal footing with Harvard’s white students, but he also declined the 1938 NAACP Springarn Medal for achievement by an African American, concerned that his research might not be evaluated fairly if other scientists realized he was black.
In compliance with current health and university guidelines, “Dancing in Blackness: An Academic’s Dance Journey” at Columbia University has been cancelled. Please check back for updates and reschedules.
Halifu Osumare. Ph.D. has been involved with dance and black popular culture internationally for over forty years as a dancer, choreographer, teacher, administrator and scholar. She is Professor Emerita of African American & African Studies at UC Davis and has written two books on global hip-hop: The Africanist Aesthetic in Global Hip-Hop: Power Moves (2007), in which she coined the phrase “connective marginalities” that gave a cogent reason for the youth culture’s internationalization.
Her memoir, Dancing in Blackness, with a Foreword written by Brenda Dixon Gottschild, was published by University Press of Florida in 2018, and won the 2019 Selma Jeanne Cohen Prize for Dance Aesthetics, as well as a 2019 American Book Award from the Before Columbus Foundation. She has taught dance and lecture-based courses on dance and culture throughout U.S., Europe, Africa, Hawaii, and the Caribbean.
African Voices and Pen & Brush will celebrate National Poetry Month with a tribute to Ntozake Shange.
African Voices and Pen & Brush will celebrate National Poetry Month with a tribute to Ntozake Shange. The event will feature readings from her friend Dr. Halifu Osumare, author of Dancing In Blackness; writer Rashidah Ismaili, Vice President of the Pen And Brush Board; Chanel Dupree, a scriptwriter in development with “Salvage” and several contributors from African Voices special issue honoring Ntozake. The event is free and open to the public. Donations welcome
In recognition of Black History Month in the United States, from February 13 – March 31, posts will be about ‘ordinary’ African Diaspora women, highlighting aspect of their lives. I start with Melissa Barber, the visionary behind the Melissa Thanks series. Please listen as she reads Day 22 and Day 23 of Melissa’s Thanks 2019
Day 22, 2019
Day 23, 2019
Rest In Peace
It’s like the earth suddenly flattened and oxygen abandoned the air.
Sincerest condolences to the Bryant family, loved ones near and far, and to his many admirers and fans.
Ayodele Casel’s Diary of a Tap Dancer explores shared themes of hoofers past and present with stories illuminating the struggle and joy of expression, communication, the evolution of jazz music, gender inequality, and the personal and culturally devastating implications for women of color.
Tuesday, Feb 11, 2020 4:15 pm
Knafel Center, 10 Garden StreetCambridge, MA 02138
I don’t want to occupy space, I want to create it
“…this short film explores the depths of Elisabeth’s practice and charts the ways in which she imbues traditional folklore and beliefs into her work – whether it be in dance, poetry or installation. “I think anybody that leaves home is looking for something. For me it was clarity,” she says.”
Sharing this link on the works of dancer, Elisabeth Sutherland Okyeame.