“A particularly evil thing about racism is its ability to make Black women feel alone.”
AfroBeat Radio at BROOKLYN COMMONS, 388 ATLANTIC AVENUE, BETWEEN BOND & HOYT STREETS, BROOKLYN, NY 11217
REGISTER at the door. More Information: HERE
Though embodied practices that center on African Diasporic (Black) body technologies of reasoning in and through ecstatic joy, CJ/ER workshop is an exploration and examination of critical joy that is embodied and thereby potentially resurrective. In CJ/ER workshop the body’s abilities are directed to manufacture (real and/or imagined) spaces/place for reconstruction, reconfiguration, and realignment of self-to-self, self-to-community, and self-to-divine. CJ/ER workshop participants will be guided through techniques and experience processes for igniting Critical Joy/Ecstatic Reasoning into daily life, and discovery and re/imagine inner embodied resources for navigating through and making sense of life in a problematic world.
When: 8:30 – 10:00 pm Wednesday, September 19, 2018
Where: BROOKLYN COMMONS, 388 ATLANTIC AVENUE, BETWEEN BOND & HOYT STREETS, NYC 11217
REGISTER at the door. More information HERE
Some people’s work inspire movements, some save lives, some remind us that we are essential and provide balm to our wounded spirit, and some make us strong and fierce, Womanist scholar Rev. Dr. Katie Geneva Cannon‘s life and work did all this and more!!! Rest In Peace!!!
There is a Black Arts Movement on the way in Antwerp, Belgium at Zomerfabriek Mama’s Open Mic. Recently I had the opportunity to witness young Black Belgians women read poetry and prose from their toolbox for survival and flourishing in a sexist and racist society. Although my digital notepad failed and I no longer have their names I want to send out good vibes to this community of poets and musicians.
Some years ago (no need to mention how many), I began a journey with the explicit translation of text to movement/dance. If I am being honest, my choreographic process, for as far back as I can remember, always began with the translation of the images in my head and/or sensations in my body to text. I would then, through numerous studio sessions, translate the text to movement/dance and in the process sculpt out the essence of a story. It is for this reason, I have journal loads of choreo-text, some became fully realized dance works, while others await their dance life.
My collaboration with Joanne Kilgour Dowdy began in the latter years of the 1990s when we were both based at Georgia State University. In that first collaboration we translated her PhD dissertation to dance. During subsequent years we collaborated on other projects, one of which was Carmen Montana: a story of literacy on the move. Base on the true story of an adult literacy student’s struggle to gain literacy and self actualize, the making of Carmen Montana took Dowdy and I on our own powerful journey. On this video the then Dr. Dowdy, now Professor of Literacy Studies School of Teaching, Learning and Curriculum Studies at Kent State University, Ohio, interviews me about the rehearsal process of Carmen Montana: a story of literacy on the move.
Halifu Osumare in conversation with Ruthlyn Salomons, Resident Dance Supervisor at Lion King On Broadway, former dancer with the Alvin Ailey American Dance Theater, Mikhail Baryshnikov White Oak Dance Project, Donald Byrd/The Group and Assistant to the Choreographer of The Color Purple on Broadway. At Gavin Brown, Osumare and Salomons discussed Dancing in Blackness, A Memoir.
A surprise audience guest, the amazing Sylvia Waters
Halifu Osumare speaks with graduate students and dance educators at The JODY -the Arnhold Graduate Dance Education Program at Hunter College of the City of New York.