AfroBeat Radio Critical Joy (Third-Wednesday) Series

Join the final

AfroBeat Radio Critical Joy (Third-Wednesday) Series of 2018

December 19, 2018

(Dance Class – 7:00 – 8:30/ CJ Workshop – 8:30 – 10:00/Music & Dance – 10:00 – Midnight)

Register

Location:  Brooklyn Commons, 388 Atlantic Avenue, Brooklyn, NY 11217

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CADD – 2018 Dance Black Joy: Global Affirmation and Defiance

Colloquium on African Diaspora Dance, February 2018

Honored to have been a part of this amazing gathering!! Proud to have delivered my workshop Ecstatic Reasoning -blackness protracted: Migration and Constructed Identities. 

https://www.cadd-online.org/2018-conference.html

Looking forward to 2020

Workshop Today! Critical Joy/Ecstatic Reasoning (CJ/ER)

September 19, 2018        Critical Joy/Ecstatic Reasoning (CJ/ER) – Blackness Protracted Workshop

AfroBeat Radio at BROOKLYN COMMONS, 388 ATLANTIC AVENUE, BETWEEN BOND & HOYT STREETS, BROOKLYN, NY 11217

REGISTER at the door.  More Information: HERE

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Though embodied practices that center on African Diasporic (Black) body technologies of reasoning in and through ecstatic joy, CJ/ER workshop is an exploration and examination of critical joy that is embodied and thereby potentially resurrective.   In CJ/ER workshop the body’s abilities are directed to manufacture (real and/or imagined) spaces/place for reconstruction, reconfiguration, and realignment of self-to-self, self-to-community, and self-to-divine.  CJ/ER workshop participants will be guided through techniques and experience processes for igniting Critical Joy/Ecstatic Reasoning into daily life, and discovery and re/imagine inner embodied resources for navigating through and making sense of life in a problematic world.

When:  8:30 – 10:00 pm Wednesday, September 19, 2018
Where: BROOKLYN COMMONS, 388 ATLANTIC AVENUE, BETWEEN BOND & HOYT STREETS, NYC 11217
REGISTER at the door.  More information HERE

Reload Moment: The Making of Carmen Montana

Some years ago (no need to mention how many), I began a journey with the explicit translation of  text to movement/dance.  If I am being honest, my choreographic process, for as far back as I can remember, always began with the translation of the images in my head and/or sensations in my body to text.  I would then, through numerous studio sessions, translate the text to movement/dance and in the process sculpt out the essence of a story.  It is for this reason, I have journal loads of choreo-text, some became fully realized dance works, while others await their dance life.

My collaboration with Joanne Kilgour Dowdy began in the latter years of  the 1990s  when we were both based at Georgia State University.  In that first collaboration we translated  her PhD dissertation to dance.  During subsequent years we collaborated on other projects,  one of which was Carmen Montana: a story of literacy on the move.   Base on the true story of an adult literacy student’s struggle to gain literacy and self actualize, the making of Carmen Montana took Dowdy and I on our own powerful journey.  On this video the then Dr. Dowdy,  now Professor of Literacy Studies School of Teaching, Learning and Curriculum Studies at Kent State University, Ohio,  interviews me about the rehearsal process of Carmen Montana: a story of literacy on the move.  

Michaela DePrince

My interest is in the lives and life stories of African Diaspora women, with particular attention to expressions/articulations of identity and belonging.  Michaela DePrince is an extraordinary artist and survivor of war.  Please share your thoughts on the May 2017 interview.